STELARC
| 2003 |
NATURAL BORN CYBORGS: MINDS,
TECHNOLOGIES AND THE FUTURE OF HUMAN INTELLIGENCE Andy Clark |
Oxford University Press New York |
| 2003 |
CATALOGUE OF THE FUTURE:
TRENDS SHAPING YOUR FUTURE Edited by Andrew Zolli |
Tech TV, Que Publishing San Francisco |
| 2003 |
ELECTRIC BODY: LE CORPS EN SCENE |
Cite de la Musique Paris |
| 2003 |
ARTS ET NOUVELLES TECHNOLOGIES Florence de Meredieu |
Larousse Bologne |
| 2003 |
CULTURE AND TECHNOLOGY Andrew Murphie and John Potts |
Palgrave Macmillan New York |
| 2003 |
VISION Edited by Alhe Huang |
Shanghai Zhonghua Printing - January Issue |
| 2002 |
PARABLES OF THE VIRTUAL:
MOVEMENT,AFFECT,SENSATION Brian Massumi |
Duke University Press Durham & London |
| 2002 |
THE CYBORG EXPERIMENTS:
EXTENSIONS OF THE BODY IN THE MEDIA AGE Edited by Joanna Zylinska |
Continuum London, New York |
| 2002 |
THE BODY ELECTRIC: AN ANATOMY
OF THE NEW BIONIC SENSES James Geary |
Weidenfeld & Nicholson Orion Publishing Group London |
| 2002 |
STELARC: POLITICAL PROSTHESIS
AND KNOWLEDGE OF THE BODY Edited by Marina Grzinic |
Maska Ljubljana |
| 2002 |
SKIN: ON THE CULTURAL BORDER
BETWEEN SELF AND THE WORLD Claudia Benthien |
Columbia University Press New York |
| 2002 |
TRANSDUCTIONS: BODIES AND
MACHINES AT SPEED Adrian Mackenzie |
Continuum London, New York |
| 2002 |
PREFIGURING CYBERCULTURE:
AN INTELLECTUAL HISTORY Edited by Darren Tofts, Annemarie Jonson, Alessio Cavallaro |
MIT Press Cambridge, London |
| 2002 |
DIGITAL PERFORMANCE ANOMALIE DIGITAL ARTS 2 Edited by Emanuelle Quinz |
Press ATI Rome |
| 2002 |
ARTLINK: THE IMPROVED BODY-
ANIMALS & HUMANS Edited by Stephanie Britton |
Contemporary Art Quarterly Volume 22, Number 1 |
| 2002 |
SCULPTURE MAGAZINE Edited by Glen Harper |
International Sculpture Centre Volume 21, Number 4 |
| 2002 |
ESTETICA DIGITAL: SINTOPIA DEL
ARTE, LA CIENCIA Y LA TECNOLOGIA Claudia Giannetti |
L'Angelot Barcelona |
| 2002 |
FANTASIES OF FETISHISM: FROM
DECADENCE TO THE POST-HUMAN Amanda Fernbach |
Edinburgh University Press Edinburgh |
| 2001 |
MASCHINEN,MEDIEN,PERFORMANCES Martina Leeker |
Alexander Verlag Berlin |
| 2001 |
EROTIC AMBIGUITIES: FEMALE NUDE IN ART Helen McDonald |
Routledge London, New York |
| 2001 |
LA SCENA DIGITALE: NUOVI MEDIA PER LA DANZA Edited by Armando Menicacci and Emanuelle Quinz |
Marsilio Editori Venezia |
| 2001 |
THE UNCANNY: EXPERIMENTS IN CYBORG CULTURE Edited by Bruce Grenville |
Vancouver Art Gallery Arsenal Pulp Press |
| 2001 |
PERFORMANCE ART NACH 1945 AKTIONSTHEATER UND INTERMEDIA Thomas Dreher |
Wilhelm Fink Verlag Munchen |
| 2000 |
WORLD SCULPTURE NEWS MAGAZINE Edited by Ian Findlay-Brown |
Asian Art News Hong Kong Volume 6, Number 2 |
| 2000 |
PERFORMANCE ARTISTS TALKING IN THE EIGHTIES Compiled by Linda M. Montano |
University of California Press Berkeley |
| 2000 |
ANOMOLIE FROM BODY TO AVATAR Edited by Emanuelle Quinz & Miguel Almiron |
November CND Paris |
| 2000 |
THE CYBERCULTURES READER Edited by David Bell & Barbara M. Kennedy |
Routledge London & New York |
| 1999 |
SKIN- IMAGES OF THE BODY DISCOURSE ON THE BOUNDARY Claudia Benthien |
Rowohlt Taschenbuch Verlag GmbH Hamburg |
| 1999 |
INTERCOMMUNICATION #28- Spring issue WE ARE THE ROBOTS Edited by Takatoshi Shinoda |
NTT ICC Tokyo |
| 1998 |
THE VIRTUAL DIMENSION Edited by John Beckmann |
Princeton Architectural Press New York |
| 1998 |
CARNAL PLEASURES Edited by Anna Novakov |
Clamor Editions San Francisco |
| 1998 |
MEDIA AND PERFORMANCE Johannes Birringer |
John Hopkins University Press Baltimore/ London |
| 1998 |
VIRTUAL FUTURES Edited by Joan Broadhurst Dixon & Eric J. Cassidy |
Routledge London |
| 1998 |
ARS TELEMATICA: TELECOMUNICACION, INTERNET Y CIBERESPACIO Claudia Giannetti |
ACC L'Angelot Barcelona |
| 1998 |
INTERCOMMUNICATION #23- Winter issue TOWARD ANTI-GRAVITY Edited by Taketoshi Shinoda |
NTT ICC Tokyo |
| 1998 |
OUT OF ACTIONS: BETWEEN PERFORMANCE AND THE OBJECT Catalogue organized by Paul Schimmel |
MOCA with Thames and Hudson |
| 1998 |
LEONARDO Volume 31, # 1 CONCERNING THE SPIRITUAL IN ART Mike King |
MIT Press Cambridge |
| 1997 |
TECHNOMORPHICA Edited by Joke Brouwer & Carla Hoekendijk |
V2 Organization Rotterdam |
| 1997 |
HIDING Mark C. Taylor |
University of Chicago Press Chicago |
| 1997 |
DIGITAL DELIRIUM Edited by Arthur & Marilouise Kroker |
New World Perspectives Montreal |
| 1997 |
PIONERE INTERAKTIVER KUNST Soke Dinkla |
Edition ZKM Karlsruhe |
| 1997 |
SHATTERED ANATOMIES: TRACES OF THE BODY IN PERFORMANCE Edited by Adrian Heathfield |
Arnolfini Live Bristol |
| 1997 |
A ARTE NO SECULO XXI: A HUMANIZACAO DAS TECNOLOGIAS Edited by Diana Domingues |
UNESP Fundacao Brazil Sao Paolo |
| 1997 |
ART JOURNAL Volume 56, #3- Fall issue FOUNDATION AND DEVELOPMENT OF ROBOT ART Eduardo Kac |
College Art Association New York |
| 1997 |
TRANSIT LOUNGE Edited by Ashley Crawford & Ray Edgar |
Craftsman House Australia |
| 1997 |
PIERCE/ TATOO Ryoichi Maeda |
Core Magazines Tokyo |
| 1997 |
ARTLINK: ART & MEDICINE Volume 17, # 2- June issue Edited by Stephanie Britton |
Artlink Australia Adelaide |
| 1997 |
ART & DESIGN: SCI-FI AESTHETICS Edited by Dr. Rachel Armstrong |
Academy Group Ltd London |
| 1997 |
ARS ELECTRONICA: FLESH FACTOR Edited by Gerfried Stocker & Christine Schopf |
Springer Vienna/ New York |
| 1997 |
BODY PLAY Volume 4, #4- Issue 16 FACE-OFF Fakir Musafar |
Insight Books Menlo Park |
| 1997 |
ART JOURNAL Volume 56, #1- Spring issue STELARC AND THE CHIMERA: KANT'S CRITIQUE OF PROSTHETIC JUDGEMENT Howard Caygill |
College Art Association New York |
| 1996 |
THEORIES & DOCUMENTS OF CONTEMPORARY ART Edited by Kristine Stiles & Peter Selz |
University of California Press Berkeley/ LA/London |
| 1996 |
IL CORPO POSTORGANICO Teresa Macri |
Costa & Nolan Genoa |
| 1996 |
PERFORMING ARTS JOURNAL Volume XVII, #2- May issue MOVING IMAGES Robert C. Morgan |
John Hopkins University Press Baltimore |
| 1996 |
ESCAPE VELOCITY Mark Dery |
Grove Press New York |
| 1996 |
CANADIAN THEATRE REVIEW FROM PSYCHO TO CYBER STATEGIES Stelarc |
University of Toronto Press Toronto |
| 1995 |
THE CYBORG HANDBOOK Edited by Chris Hables Gray |
Routledge New York/ London |
| 1995 |
ESTHETIQUE DES ARTS MEDIATIQUES Edited by Louise Poissant |
University of Quebec Press Quebec |
| 1995 |
CYBERSTAGE #1.2 Spring issue STELARC:STILL HANGING AROUND Mark J. Jones |
Cyberstage Publishing Toronto |
| 1995 |
THE ART OF THE MOTOR Paul Virilio Translated by Julie Rose |
University of Minnesota Press Minneapolis/London |
| 1995 |
21C #2 Edited by Ashley Crawford & Ray Edgar |
Gordon & Breach Australia |
| 1995 |
KORPERFORMEN 5TH INTERNATIONAL DANCE FESTIVAL Catalogue |
Sellier/ Freising Munich |
| 1994 |
DATA TRASH: THE THEORY OF THE VIRTUAL CLASS Arthur Kroker & Michael A. Weinstein |
St. Martin's Press New York |
| 1994 |
THE VIRTUAL REALITY CASEBOOK Carl Eugene Loeffler/ Tim Anderson |
Van Nostrand Reinhold NY/ London/ Bonn |
| 1994 |
IL CORPO TECNOLOGICO Pier Luigi Capucci |
Baskerville Bologna |
| 1994 |
CONTINUUM- Volume 8, No. 1 ELECTRONIC ARTS IN AUSTRALIA Edited by Nicholas Zurbrugg |
Murdoch University Perth |
| 1994 |
ART COGNITION CYPRES/ Ecole D'Art Aix En Provence |
A.Robert Marseille |
| 1993 |
BODY AND SELF Anne Marsh |
Oxford University Press Australia |
| 1993 |
ART FUTURA: ARTIFICIAL LIFE Edited by Montxo Algora |
Grup 3 Barcelona |
| 1993 |
ON EDGE: PERFORMANCE ART AT THE
END OF THE TWENTIETH CENTURY Cindy Carr |
Wesleyan University Press Hannover/ London |
| 1992 |
BINOCULAR: FOCUSING-TIME-LAPSES TECHNO-BODIES: SPECTACLES, DREAMS AND DESIRES Anne Marsh |
Moet & Chandon Contemporary Edition Sydney |
| 1992 |
ARS ELECTRONICA: ENDO/ NANO Edited byKarl Gerbel & Peter Weibel |
PVS Verleger Linz |
| 1991 |
THE CRACK December #30 THE HUMAN BODY IS OBSOLETE Simon Bainbridge |
Alderson & Hall Publishing Newcastle |
| 1991 |
LEONARDO Volume 24, #5 PROSTHETICS, ROBOTICS AND REMOTE EXISTENCE Stelarc |
MIT Press Cambridge |
| 1991 |
SOUND BY ARTISTS Edited by Dan Lander & Micah Lexier |
Art Metropole & Walter Phillips Gallery Copenhagen |
| 1989 |
KYOTO JOURNAL #10 Spring issue REMOTE PRESENCE Stelarc |
Heian Bunka Center Kyoto |
| 1988 |
INTERSECT December issue THE SHAPE OF MEN TO COME Mike Jacobs |
PHP Institute Tokyo |
| 1988 |
NMA 6 BEYOND THE BODY Stelarc |
NMA Publications Richmond |
| 1987 |
EYELINE #3 November issue STELARC Interview by George Petelin & Graham Coulter-Smith |
Queensland Artworkers Alliance Brisbane |
| 1986 |
CANTRILLS FILMNOTES Numbers 53, 54 POST-EVOLUTIONARY DESIRES Stelarc |
Impact Printing Brunswick |
| 1985 |
MD MAGAZINE February issue WHERE ART AND MEDICINE MEET Marguerite Feitlowitz |
MD Publications New York |
| 1985 |
FLUX Volume 2 #3 Fall issue A PHILOSOPHY OF TECHNOLOGY Stelarc |
Harp and Company Tokyo |
| 1985 |
INQUIRER April-May Issue 9 THE BODY OBSOLETE Stelarc |
A LaBamba International Publication Houston |
| 1984 |
OBSOLETE BODY/ SUSPENSIONS Edited by J.D.Paffrath & Stelarc |
JP Publications Davis, CA |
| 1984 |
AUSTRALIA: 9 CONTEMPORARY ARTISTS Olympics Art Festival Catalogue |
Los Angeles Institute of Contemporary Art, LA |
| 1983 |
HIGH PERFORMANCE Vol 6 #4 THE BODY OBSOLETE Interview by Paul McCarthy |
Astro Artz Los Angeles |
| 1983 |
STUDIO INTERNATIONAL JAPANESE PERFORMANCE ART Richard Demarco |
Burts Bedford |
| 1980 |
AUSTRALIAN SCULPTORS Ken Scarlett |
Thomas Nelson Melbourne |
| 1978 |
THE DEVELOPMENT OF AUSTRALIAN SCULPTURE 1788-1975 Graeme Sturgeon |
Thames & Hudson London |
| 1978 |
FLASH ART Number 80-81 Feb-April DANGER IN ART Edited by Helena Kontova |
Giancarlo Politi Milan |
| 1976 |
STELARC Edited by Mark Stow-Smith & Stephen Measday |
Ganesh Publishing Adelaide |